Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of John Constable 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
32977 The edge of a heath by moonlight John Constable The edge of a heath by moonlight mk82 c.1810
33110 The edge of a Heath by moonlight John Constable The edge of a Heath by moonlight mk82 oil on paper laid on canvas 15x25.7cm
48619 The Flower Garden at East Bergholt House,Essex John Constable The Flower Garden at East Bergholt House,Essex mk190 1815
437 The Glebe Farm John Constable The Glebe Farm 1835 Tate Gallery, London
33175 The Glebe Farm John Constable The Glebe Farm mk82 c.1830 oil on canvas 59.7x78.1
33176 The Glebe Farm John Constable The Glebe Farm mk82 1830 oil on canvas 49x62
38583 The Grove,or the Admiral-s House Hampstead John Constable The Grove,or the Admiral-s House Hampstead mk138 1821/22 Oil on canvas 60x50cm
32999 The hay wain John Constable The hay wain mk82 1821 oil on canvas 130.2x185.4cm National Gallery, London
33922 The Hay Wain John Constable The Hay Wain mk87 1821 Oil on canvas 130.5x185.5cm London,Nationa Gallery
54520 The Hay Wain John Constable The Hay Wain mk235 1821 Oil on canvas 130.2x185.4cm
56190 the hay wain John Constable the hay wain mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk
21437 The Hay Wain (mk09) John Constable The Hay Wain (mk09) 1821 Oil on canvas,130.5 x 185.5 cm London,National Gallery
43316 The Hay-Wain John Constable The Hay-Wain mk170 1821 Oil on canvas 130.2x185.4cm
42757 The jumping horse John Constable The jumping horse MK169 1824-24 oil Paint on cloth 142x187cm
48618 The Kitchen Garden at East Bergholt House,Essex John Constable The Kitchen Garden at East Bergholt House,Essex mk190 1815
32997 The leaping horse John Constable The leaping horse mk82 1825 oil on canvas 142x187.3cm
38755 The Leaping Horse John Constable The Leaping Horse mk141 1825 The Royal Academy of Arts,London
32986 The Lock John Constable The Lock mk82 1824 oil on canvas 142.2x120.7cm
23276 The Lock (nn03) John Constable The Lock (nn03) c 1824 Oil on canvas 142 x 120 cm 56 x 47 1/2 in Fundacion Coleccion Thyssen-Bornemisza Madrid
32842 The Mill Stream John Constable The Mill Stream mk81 c.1810
32998 The Opening of Wateloo Bridge John Constable The Opening of Wateloo Bridge mk82 c.1832 oil on canvas 130.8x218cm
40675 The Opening of Waterloo Bridge John Constable The Opening of Waterloo Bridge mk156 1932 Oil on canvas 130.8x218cm
33001 The path to the church John Constable The path to the church mk1821 oil on canvas 91.4x72.4cm
33104 The Quarters behind Alresford Hall John Constable The Quarters behind Alresford Hall mk82 1816
32968 The Quarters'behind Alresford Hall John Constable The Quarters'behind Alresford Hall mk82 1816
33126 The Quarters'behind Alresford Hall John Constable The Quarters'behind Alresford Hall mk82 1816
33111 The Stour 27 September 1810 John Constable The Stour 27 September 1810 mk82 oil on canvas 23.8x23.5cm
33121 The Stour Valley and Dedham Village John Constable The Stour Valley and Dedham Village mk82 5 September 1814 oil on canvas 39.4x55.9
44235 The Stour-Valley with the Church of Dedham John Constable The Stour-Valley with the Church of Dedham 1814 Oil on canvas, 55,5 x 77,8 cm
32956 The Vale of Dedham John Constable The Vale of Dedham mk82 1827-28
33169 The Vale of Dedham John Constable The Vale of Dedham mk82 1827-28 oil on canvas 145x122
436 The Valley Farm John Constable The Valley Farm 1835 Tate Gallery, London
33924 The Valley Farm John Constable The Valley Farm mk87 1835 Oil on canvas 147.3x125cm London,Tate Gallery
21439 The Valley Farm (mk09) John Constable The Valley Farm (mk09) 1835 Oil on canvas,147.3 x 125 cm London,Tate Gallery
32961 The Valley of the Stour at Sunset 31 October 1812 John Constable The Valley of the Stour at Sunset 31 October 1812 mk82
33117 The Valley of the Stour at sunset 31 October1812 John Constable The Valley of the Stour at sunset 31 October1812 mk82 oil on canvas 11.7x28.4cm
33113 The Village fair,East Bergholt 1811 John Constable The Village fair,East Bergholt 1811 mk82 oil on canvas 17.2x35.5cm
32949 The wheatfield John Constable The wheatfield mk82 1816
32982 The wheatfield John Constable The wheatfield mk82 1816
33124 The wheatfield John Constable The wheatfield mk82 1816 oil on canvas 53.7x77.2cm
53881 The white hasten John Constable The white hasten mk234 probably 1819 130x188cm
31837 The White horse John Constable The White horse mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in
21299 The White Horse (mk09) John Constable The White Horse (mk09) 1819 OIl on canvas,131.4 x 188.3 cm New York,The Frick Collection
32996 THe WHite hose John Constable THe WHite hose mk82 1819 oil on canvas 131.5x188.3cm
48670 Unknown work John Constable Unknown work mk191 1827 Oil on canvas 127x183cm
48671 Unknown work John Constable Unknown work mk191 Oil on canvas 1827 127x183cm
32962 View from Hampstead Heath John Constable View from Hampstead Heath mk82 looking toward Harrow August 1821
33134 View from Hampstead Heath,Looking towards Harrow August 1821 John Constable View from Hampstead Heath,Looking towards Harrow August 1821 mk82 oil on paper laid on canvas 25x29.8
33133 View from Hampstead Heath,Looking West John Constable View from Hampstead Heath,Looking West mk82 14 July 1821
38757 View in Garden at Hampstead,with a Red House beyond John Constable View in Garden at Hampstead,with a Red House beyond mk141 1821 Oil on canvas
38763 View into a Garden in Hampstead with a Red House beyond John Constable View into a Garden in Hampstead with a Red House beyond mk141 1821 Oil on canvas 35.5x30.5cm
98467 View of Highgate John Constable View of Highgate 1st quarter of 19th century Medium oil on canvas Dimensions 24 x 29,5 cm
48603 View of Malvern Hall,Warwickshire John Constable View of Malvern Hall,Warwickshire mk190 1809
20837 View of Salisbury (mk05) John Constable View of Salisbury (mk05) Canvas ,14 1/4 x 20 1/2''(36 x 52 cm)Bequeathed in 1952 R.F 1952-25
30681 View of Salisbury Cathedral Grounds from the Bishop's House John Constable View of Salisbury Cathedral Grounds from the Bishop's House mk68 Oil on canvas London, Victoria and Albert Museum 1823 Britain
48604 View of the grounds of Wivenhoe Park,Essex John Constable View of the grounds of Wivenhoe Park,Essex mk190 1816 the Seat of Major-General
32992 View on the Stour,Dedham Church in the distance John Constable View on the Stour,Dedham Church in the distance mk82 c.1832-36
33180 View on the Stour,Dedham Church in the distance John Constable View on the Stour,Dedham Church in the distance mk82 c.1832-36
32945 View towards the rectory John Constable View towards the rectory mk82 East Bergholt30September 1810
32957 View towards the rectory John Constable View towards the rectory mk82 East Bergholt 30 September 1810
33112 View towards the rectory,East Bergholt 30 September 1810 John Constable View towards the rectory,East Bergholt 30 September 1810 mk82 oil on canvas laid on panel 15.6x24.8cm
33004 Water-meadow near Salisbury John Constable Water-meadow near Salisbury mk82 1829 Oil on canvas 45.7x55.3cm
33144 West End Field,Hampstead,noon John Constable West End Field,Hampstead,noon mk82 c.1821-22 oil on canvas 33.2x52.4cm
32953 West End Fields,Hampstead,noon John Constable West End Fields,Hampstead,noon mk82 c.1821-22
33011 West End Fields,Hampstead,noon John Constable West End Fields,Hampstead,noon mk82 c.1821-22
33182 West End Fields,Hanpstend,noon John Constable West End Fields,Hanpstend,noon mk82 c.1821-22
32951 Weymouth Bay John Constable Weymouth Bay mk82 c.1819/1830
33129 Weymouth Bay John Constable Weymouth Bay mk82 c.1819/1830
33181 Weymouth Bay John Constable Weymouth Bay mk82 c.1819/1830
33920 Weymouth Bay John Constable Weymouth Bay mk87 c.1816 Oil on canvas 53x75cm London,National Gallery
98475 Weymouth Bay John Constable Weymouth Bay 1816(1816) Medium oil on canvas Dimensions 53,3 x 75 cm
21434 Weymouth Bay (mk09) John Constable Weymouth Bay (mk09) c.1816 Oil on canvas,53 x 75 cm London,National Gallery
43314 Weymouth Bay Bowleaze Cove and Jordan Hill John Constable Weymouth Bay Bowleaze Cove and Jordan Hill mk170 1816-1817 Oil on canvas 53.3x74.9cm
44244 Weymouth Bay, with Jordan Hill John Constable Weymouth Bay, with Jordan Hill 1816 Oil on canvas, 53 x 75 cm
438 Whitehall Stairs on June 18, 1817 John Constable Whitehall Stairs on June 18, 1817 1832
32973 Windermere John Constable Windermere mk82 1806
33107 Windermere John Constable Windermere mk82 1806 Watercolour and very faint pencil 20.2x37.8cm
58415 Wivenhoe Park John Constable Wivenhoe Park Wivenhoe Park, 1816
89537 Wivenhoe Park John Constable Wivenhoe Park 1816(1816) Medium oil on canvas Dimensions 56,1 x 101,2 cm cyf
456 Wivenhoe Park, Essex John Constable Wivenhoe Park, Essex 1816 National Gallery of Art, Washington DC
85329 Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow John Constable Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow Date 1816(1816) Medium Oil on canvas Dimensions 56,1 x 101,2 cm cjr
91127 Wolken-Studie John Constable Wolken-Studie 1822(1822) Medium oil on paper Dimensions 37 x 49 cm cyf
87066 Yarmouth Pier John Constable Yarmouth Pier Oil on Canvas. 12 x 20 in (30.5 x 50.8 cm). Date 1822(1822) cyf
88999 Zirruswolken John Constable Zirruswolken 1821-1822 Medium Oil on paper Dimensions 11,4 x 17,8 cm cjr
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John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
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